Peter Frampton Comes Alive Again at Royal Albert Hall
Just before taking center stage at the esteemed Royal Albert Hall in London, Peter Frampton makes a courteous announcement over the PA system. He kindly asks the audience to film or take photos only during the first three songs, encouraging them to then fully immerse themselves in the live experience. This request is warmly received, resonating especially with those like myself, permitted only a brief window to photograph the event.
Frampton, bravely facing inclusion body myositis – a condition he publicly revealed in 2019 – makes his entrance with some assistance. His condition, while impacting his mobility, hasn’t diminished the quality of his guitar playing, and he remains seated throughout the show.
Frampton’s spirit in the face of adversity is remarkable. With a smile that never fades, he seems genuinely thrilled to be performing again, especially after pandemic-induced delays. His casual banter with the audience adds a personal touch to the evening, creating an intimate atmosphere.
The concert features a carefully curated setlist, blending classics and selections from his album “Wonder Days.” The event underscores Frampton’s enduring talent and the skill of his band. Adam Lester, Frampton’s long-time collaborator, stands out with his impressive guitar skills, perfectly complementing Frampton’s performance.
One of the concert’s highlights is a guitar interplay between Frampton and Lester in “(I’ll Give You) Money,” which culminates in enthusiastic applause. Keyboardist Rob Arthur also makes a significant impact, especially in a standout performance of “Do You Feel Like We Do,” where he engages in a spirited exchange with Frampton.
The audience is treated to a distinctive cover of Soundgarden’s “Black Hole Sun,” featuring Frampton’s iconic use of the talk box, as well as several other well-executed covers that have become synonymous with Frampton’s style. The crowd, largely comprising Frampton’s contemporaries, participates quietly yet meaningfully, their voices adding a harmonious layer to the performance.
The encores, particularly a lively version of “I Don’t Need No Doctor,” showcase the band’s collective talent, with each member enjoying a moment in the spotlight.
The concert, lasting over two hours, is a seamless blend of storytelling and music, culminating in a moving rendition of “While My Guitar Gently Weeps.” Frampton, acknowledging his health challenges, leaves the stage with optimistic words, hinting at the possibility of future performances. This memorable evening is not just a concert for the audience but a heartfelt celebration of music for Frampton himself.
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